(1942)
Maybe the best no-budget horror film ever, the semigreat
Jacques Tourneur directing the definitive
Val Lewton production, in which nothing supernatural is actually seen--only shadows and suggestions and aftermaths--but it scares the bejesus out of you nonetheless. About the only thing that could make it better would be David Bowie's great
theme song from the otherwise misbegotten
remake--a song whose hook gets to the thematic heart of both films.
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